A new take on a Dickens’ Classic

There are few people who are not familiar with A Christmas Carol by Charles Dickens. The story of Ebeneezer Scrooge, and how he learned to love Christmas, has delighted readers for generations. Sitting at my keyboard one day a few weeks back, I had this brilliant idea; this tale has been parodied, adapted, and otherwise used and misused dozens, if not hundreds, of times, but I’ve never seen anything in the western genre on it. So, why not me. I played around with it for a few days, developed a list of characters and a general plot, and started writing. Out of all that came A Cowboy’s Christmas Carol, the story of Ed Summerfield, a man with a heart of stone who hates Christmas, and how visits from three spirits changed his life. It’s now available on Amazon for the amazingly low price of 99 cents (for the Kindle version), and will be available in paperback before Christmas, just in case you want to give that book lover on your gift list a special treat.

Here’s the link for the Kindle version:  https://www.amazon.com/dp/B07KV81H84  

and the paperback is at: https://www.amazon.com/dp/1790310253

or you can click on the photo below.

 

 

Look for a new name in westerns

I’ve been writing since my teens, and I’ve always used my real name (without the middle initial usually) on what I write. When I was in government, it was a way of showing that I wasn’t breaking any rules, or disclosing information I wasn’t suppose to. It was also, I suppose, a form of rebellion.

Well, life catches up with us all. I’ve been doing westerns lately, more even than my mainstay, mysteries–lots and lots more–and when I did a kind of experimental western, The Cowboy vs the Sea Monster, the publisher suggested that I sue a pen name. Seems my list of westerns is getting quite long, and I suppose he worries that it might confuse western fans–I do a series on the Adventures of Bass Reeves, Deputy U.S. Marshal, as well as short stories for anthologies, all your typical western.

I believe in being a cooperative writer, as long as I don’t have to sacrifice my integrity or warp my artistic vision, so I went along. The name I chose, Ben Carter, happens to be the main character in my Buffalo Soldier series, which I thought quite appropriate, and the publisher agrees.

So, if you’re a western fan, and you’ve read any of my other stuff, look for Ben Carter’s books, and you’ll be treated to even more good stuff.

cowboy and sea monster

 

Available for 99 cents at https://www.amazon.com/William-Coburn-Monster-Western-Adventure-ebook/dp/B07H4Y8631/

Review of the film ‘This is My Year’

Connor Miller, wannabe screenwriter, moves to LA for a make or break year in her efforts to get a script accepted. In ‘This is My Year,’ from director, James Brindle, we follow the adventures and misadventures of Connor and her friends over that fateful year.

This film is hard to categorize for someone of my generation; much like the milennials in the story, it seems to be going way, but ends up going another. That’s not a negative assessment, by the way. I found the film, like the milennials I encounter each summer in my writing workshop, stimulating and interesting. I was particularly impressed with Kanani Rose’s performance as Connor. That mask of apparent wide-eyed innocence that covers a hard mask of cynical realism that knows nothing is permanent and that life is often totally screwed up, was brilliant.

So, while I can’t tell you whether this film was a romantic comedy or a drama, I can tell you that I thoroughly enjoyed it, and strongly encourage you to see it when it’s finally released. I was fortunate enough to get a sneak preview. The film is due for an October 10 release.

Here’s the link to preorder the movie on iTunes:  : https://itunes.apple.com/us/movie/this-is-my-year/id1418136923

 

Get my newest from Outlaws Publishing

I decided to take a short break from writing about Deputy US Marshal Bass Reeves, and revive a couple of characters I wrote about several years ago. Esau Brown and Jacob Hardin are a couple of bounty hunters who have trouble adapting to the changes in the west, so they go off to hunt treasure in the mountains. But, town calls, and they’re tired of sleeping on the ground. The only problem is, the closest town is Purgatory, New Mexico. Not an auspicious name, but what choice do they have?  Get a copy of the eBook and see how they deal with it.

Don’t Let the Quest for Gender Equality Hinder Communication

I’m all for eliminating bias, gender, religious, or ethnic, for our language.

Assuming, for instance, that the pronoun ‘he’ represents both, or all, genders is not only sexist, but it’s illogical. Even though the number of men and women on the planet is almost equal, albeit there are imbalances in some regions (There are, for example, far more women than men in the former Soviet states, and in Asia, the Arab world, and Northern Africa, men outnumber women), in general women outlive men globally. So, if we want to be fair, the common pronoun to refer to all people would be ‘she.’ Of course, we know that life has never been fair.

The war over use of gender-neutral language has been going on for decades, and I’m a total supporter—with a few exceptions.

Some of the made-up words being used make writing sound a bit silly and trivial, to me at least, and they often complicate writing, making it almost incomprehensible. I won’t even go into words like ‘ze,’ ‘hir,’ or ‘s/he,’ or the salacious ‘s/he/it.’ I would, though, like to address one of my pet peeves; the often indiscriminate use of ‘they,’ ‘their,’ or ‘them’ as a singular gender-neutral pronoun.

Now, I acknowledge that this usage has been more or less common practice since the 1800s, and in many cases is correct, and not really a problem. But, when used indiscriminately, they can be quite confusing—and, sometimes sound silly. Take, for instance, the sentence, ‘John put their new address on their Facebook page,’ or ‘The baby threw their bottle at me.’ In the first sentence, upon whose page did John put whose new address? In this case, it’s probably safe to assume John is male, so the use of ‘his,’ doesn’t strike me as biased in any way, and it’s much easier to understand the meaning. In the second, we’re clearly talking about a single baby, and although we don’t know the gender, couldn’t we just write, “The baby threw the bottle at me’? Doesn’t that communicate the same meaning?

The problem with universal use of these words as a substitute for gender-specific pronouns is that if you’re not careful it can lead to miscommunication. Allow me to give you a brief example:

‘The college president released their policy on academic freedom today. They stressed that they want students to be able to express their opinion without fear that they will punish them. They can be assured that they will zealously guard their rights under the US Constitution and the bylaws of their institution.”

I could go on, but I hope I’ve made my point. Is it clear who ‘they’ and ‘their’ are referring to in this passage? Imagine, if you will, if this went on for a thousand more words. I don’t know about you, but I would be completely befuddled.

Maybe I’m a traditionalist, or a coward, or just lazy; or, as some of the students in my professional writing workshop no doubt think; I’m an old codger resisting the inexorable and inevitable transformation of the English language to reflect changes in social consciousness. Actually, I like to think of myself as a practical person who believes that the objective of writing is to clearly communicate a message to an audience. To that end, my approach to the issue of gender neutrality is to eschew blatant and obvious gender-biased language. Policemen become law enforcement officers, and I don’t add ‘-ess’ or ‘ette’ to words to indicate femininity. A waitress is a server, and a stewardess is a flight attendant. I also don’t refer to ‘male nurses,’ or ‘female doctors,’ and a poet is a poet regardless of gender. This applies to my fiction as well as my professional nonfiction writing. If necessary, I’ll rewrite a sentence, eliminating the pronouns if there is no other way. For example, instead of writing, “I took my grandson to the zoo so they could learn about species conservation,’ I’ll write, ‘In order to impart information about species conservation, I took my grandson to the zoo.’

In my professional writing workshop, for Rangel Foreign Affairs Scholars, I have to deal with 15 college seniors each summer, and this is a constant debate. While I appreciate and applaud their commitment to gender equality, my main goal is to help them learn to communicate accurately and effectively in a government setting. I’m careful to emphasize that I understand and support their point of view, and don’t expect or want them to change it. But, at the same time, I urge them to remember why they’re taking the workshop; their goal should be learning how to write effectively and communicate accurately. They are there to learn how to convey an often complex message to a diverse audience. I want them to continue to strive for equality, but to do it without mangling or muddying their message.

I have this depressing feeling sometimes that I’m fighting a losing battle. But, you know what; I will never stop trying.

Using the three-act structure to write your novel

If you struggle, as many of us do on occasion, to write that novel that’s been bubbling inside your brain for a long time, you might want to consider using a technique that I stumbled across some years ago—structure your novel in three acts. Unsure what I’m talking about? Allow me to explain.

Whether you’re a plotter (someone who maps out your story in detail before starting to write) or a pantser (you just sit down and start writing)—and, I’m somewhere between these two extremes—using the three-act format common to stage plays will help you create a good story.

Here’s how it works.

Act 1. This is roughly 25% of your story, and it’s where you introduce characters and situations. Somewhere near the end of this act, you introduce the change in the status quo that your character must deal with.

Act 2. The second act is the meat of your story, about 50% of the total. In act 2, the main character starts to make some progress, to commit to moving in a certain direction until he or she reaches a point of no return (roughly halfway through the act), whereupon you introduce serious obstacles to the character accomplishing the desired goals. I often say, in a novel, you put your character up a tree, throw rocks at him, and then let him climb down. Well, it’s in act 2 that you start throwing rocks. It is in this part of the story that the fear that your character might fail in her quest is introduced. Will the murderer get away? Will the heroine enter the basement where the axe murderer awaits? Make your reader think this is a distinct possibility.

Act 3. Now, we come to the final 25%, and unless you’re writing dark fiction where bad things happen to good people and there’s nothing they can do about it, this is where your character undergoes transformation, finds a way out (make sure it’s logical and not deus ex machina, preferably foreshadowed by some subtle clue you’ve planted in act 2 somewhere, or even in act 1) and reaches her goal. The last one or two percent or so of the story, the last few pages of act 3, should tie up loose ends and leave the reader satisfied that all is right, in your fictional world.

Now, the percentages I give are just approximations, I sometimes have a very short act 1, or act 2, and put most of the meat of my story into act 2, but the three-act structure remains more or less intact. As a reminder, I keep a chart over my desk, that looks something like this:
                                                                 Plot Timeline
                                      Act 1                              Act 2                             Act 3
                                I———————I——————————————-I———————I
                                 Introduction                Meat                               Solution

There you have it. That’s how I write. It just might work for you as well. Worth a shot, don’t you think?

Verified by MonsterInsights