Ascendancy of Kakistocracy

American democracy is not dead, nor is it, as some have suggested, in danger of being replaced by a plutocracy, and certainly not an aristocracy—although, some high-level politicians act as if they are aristocrats. No, what is happening, I fear, is that our democracy is, before our very eyes, morphing into a kakistocracy. For those unfamiliar with the term, ‘kakistocracy’ is derived from the Greek words for ‘bad’ and ‘rule,’ and means, basically, ‘rule by the worst men (people) in the state.

If you don’t believe me, or if you take issue with this view, I support your right to that belief. After all, the Constitution protects every citizen’s right to believe whatever he or she wishes, and the right to express that belief—at least, it does so far. I will, though, tell you why I am of the belief that we are slowly coming under the suzerainty of the most base elements of our society, and that we only have ourselves to blame for this sad state of affairs.

Look at the way certain members of the American public and some politicians have reacted to the COVID-19 pandemic. Despite the weight of scientific evidence, you have many people who refused to believe the virus even exists and too many politicians willing to support this misguided belief. Then you have those who oppose wearing masks or getting vaccinated and, again, politicians clinging to these views either because they are as lacking in knowledge or, even worse, because they think it will win them votes.

The other evidence of the rise of the kakistocrats is the political support for climate change deniers. While I can understand the average person having difficulty with the concept—given the sorry state of our primary education system in many parts of the country and the growing mistrust in science or intellectuals this is bound to result in large numbers of uninformed—but the politicians who are unable to process the information that’s available to them, or who are so deep in the pockets of the corporations that make millions off fossil fuels and deforestation, and who promote climate change denialism or who refuse to support actions to save the planet are beneath contempt.

So, there’s no doubt in my mind that it’s not autocrats we have to fear. We have to fear the establishment of a dictatorship of fools, or author John Kennedy Toole’s A Confederacy of Dunces, published in 1981 through the efforts of writer Walker Percy eleven years after Toole’s suicide. Dunces is the story of a man who disdains modernity while enjoying it at the same time, and he attributes all of his failings to some higher power rather than his own feeble inadequacies. Toole is thought to have come up with the idea for the book from an epigram in Jonathan Swift’s essay Thoughts on Various Subjects, Moral and Diverting: “When a true genius appears in the world, you may know him by his sign, that the dunces are all in confederacy against him.” The modern-day dunces are the kakistocrats who are known not so much by what they do and think but by what they are against, and they seem to be against just about everything that is moral and meaningful. If it make sense, you can depend on them to take a stand against it.

And that, my dear friends, is what we truly have to fear.

Big Changes in the Western Publishing World!

My friend and publisher J.C. Hulsey ()the Old Cowboy), of Outlaws Publishing, is retiring. My books that were issued by Outlaws were moved to another, back to Outlaws, and are now officially out of print/circulation. All is not lost, though. All those titles will move over to DS Publications, which has my Caleb Johnson, Lincoln Croft, Jacob Blade, and other series. So, fans of Tom Steele and some of the others please be patient

For Bass Reeves fan, more good news. I ran it past Nick Wales, the smartest publicist in the business, and my online chess partner, about combining the 13 or 14 Bass Reeves stories I’ve written into several multi-story volumes. Working on that now and hope to have the first one available no later than the end of April.

Wishing the Old Cowboy the best in retirement. He’s one of a kind and the western genre owes him a great debt.

Ray’s Ruminations

Several weeks ago, my good Facebook friend, Gigi Estrella, aka Gigi Star, a radio personality who can be heard on 84.3iFM from Bacalod, Philippines, urged me to write a column for a local newspaper. Gigi can be heard at https://www.radionowonline.com/2018/04/listen-to-ifm-943-bacolod-video.html on Sunday mornings US time playing all the romantic oldies.

Promotion of my column in the print edition.
More promotion

But, I digress. I agreed to write the column, thinking it would be no big deal. First one appeared on line, looked good, so I decided to do four a month, and sent them along to the editor. What I didn’t know until today is that my column had been promoted in advance, and was also appearing in the print version of the paper in a very prominent position. Good things come in bunches. Last month I had seven of my titles in Amazon’s Top 100 best selling westerns and now I can call myself a newspaper columnist with an international audience. On top of everything else, they also promoted three of my westerns in the second column.

Now, ain’t that something to crow about?

Finding Your Zone

Whether you’re playing golf or writing the next Great American Novel, you will, on occasion find yourself transported to a mental realm where everything just seems to click into place. You perform almost in a kind of ‘out-of-body’ way. This condition is called being ‘in the zone,’ and it often results in outstanding performance.

            As writers, I’m sure we’d all like to be ‘in the zone’ every time we sit down at the keyboard, or pick up a pen and notepad. We want our muse to guide us to that place where the right words just flow with ease. News flash! In my more than fifty years of writing I’ve learned that the muse ‘don’t work like that.’ Getting into the zone, whether you’re playing golf or writing, is something you have to do for yourself. Here’s how I finally learned how to do it.

            When I write fiction, I approach the story as if it’s a movie. I picture in my mind what the characters are doing and saying, and why, and then convert those mental visions to words. For example, I introduce a new character, a garishly dressed fat man. Now, I could use hundreds of words to describe him and my protagonist’s reaction to him, but think about it; when you watch a movie, you get a quick look at a character and based on quickly-seen visual and auditory cues, you develop an attitude about that character. So, let’s take the aforementioned fat man. Here’s one way I might introduce him: “He waddled into the room, his man boobs jiggling under the green and black shirt he wore open to his sternum.” Do you have an image of this character in your mind from those words? You probably do, and you probably have some not-so positive vibes coming off him. See; all those words of description are not needed, and you can keep going with the story.

            When I write like that, I’m not working off some detailed plan, and often I’ve written the words without a lot of conscious thought—after all, I’m just describing what I saw in my mind.

            Working this way, I often knock out five to six thousand words a day when nothing happens to pull me from my computer. Sometimes, I go back and rework a passage after giving it some thought, but mostly I just look for those pesky typos that creep into your writing when you’re just banging out words. That’s okay, it’s the editing and rewriting that makes great prose even greater.

            One other thing that might not sound like a sophisticated creative technique, but which works for me; I write every day. Sometimes it’s just entries in one of the many journals I keep, sometimes it’s a piece of nonfiction, like this present missive, but always, without fail, I generate words into sentences into paragraphs to the tune of about 2,000 words per day. That keeps the mental muscles facile.

            The other thing I do to facilitate getting into the zone when I write, is I take breaks. Lots of breaks. I will write for two to three hours, and then I’ll grab my camera and go for a walk, or work a crossword puzzle, or even go to my mat and do some resistance band exercises. What does that have to do with improving your mental ability to write better, you ask? A lot, I say. It’s been shown that exercise not only improves your physical body and mood, but it does positive things to your mind. That old, ‘healthy mind in a healthy body,’ adage is real.

            Okay, that’s it. Just a few short words to help you jump start your writing in 2020. And, before I sign off, I hope 2020 will be a productive writing year for all of you.

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