Don’t blame AI

Photo by Lyman Hansel Gerona on Unsplash

Since the launch of Chat-GPT, followed by several clones, mimics, improvements, and other artificial intelligence (AI) applications, there’s been a raft of articles and editorials on the subject, some of them going so far as to present doomsday scenarios, predicting that if unchecked AI will take over the world and destroy us. On the less frantic, but no less of a hair-on-fire attitude, are predictions that AI will make certain human workers obsolete, and will retard learning because students will no longer know how to do research or even write their own essays.

Now, there is a certain amount of validity to the latter two opinions. There are likely to be some jobs that are better, more efficiently and cheaply done by AI rather than humans. But I predict that these will be the drudge, number crunching jobs that most humans hate doing anyway, and a computer can crunch numbers faster and more accurately than the smartest human. There will still be, though, a requirement for humans to make the decisions about what to do with those crunched numbers. As for the impact on students, if educators abdicate their responsibility to set clear standards and requirements and monitor their students’ activities, there could be situations where students ‘let the AI do it,’ thus not acquiring research and communication skills of their own. I teach online graduate courses in geopolitics, for example, and I use AI for baseline grading—with extensive manual input from me—which frees me to focus on students having problems, and to have the time to carefully review their written assignments. I forbid my students from using AI to write their essays, and caution them when using AI to do research to verify everything the AI provides them, preferably with at least one or two non-AI sources. Properly used, AI can be an aid in compiling sources for further study, and for establishing outlines of projects.

Because AI, like human researchers, is pulling the information it provides from Internet searches, it can sometimes be wrong, just as a human researcher who doesn’t try to verify what pops up on the screen in a search can be wrong. A good example in the news recently was Michael Cohen, Donald Trump’s former lawyer and fixer having to admit that in a court filing he submitted some phony legal cases that had been provided by an AI. You can’t blame the AI for this. Depending on how he worded his search, it provided relevant cases that it found in searching the Internet, but the Internet is like an open shelf, anyone with a computer can put anything on it. If you grab things off the shelf without examining them closely, you—or the AI—just might get the wrong thing.

So, let’s stop blaming the AI for things going wrong. AI is a tool, and like any tool, it can be used or misused. Don’t blame the tool, blame the mechanic.

Writers and imposter phenomenon

Many successful and talented people, especially women, minorities, and people from underprivileged backgrounds suffer from a condition called imposter phenomenon. This is a condition where sufferers feel that they are frauds, that their success is not deserved and, at any minute they will be unmasked for the failures that they really are.

Writers often suffer from this condition regardless of their gender, ethnicity, or socio-economic background. It hits really hard writers who have achieved early publication but then hit a patch of rejection slip after rejection slip before again achieving publication on a regular basis, and sometimes even a degree of notoriety.

While I’ve never been on the New York Times or USA Today bestsellers’ list, and probably never will be, I’ve established myself as a fairly consistent writer with a long backlist of books and a sizeable steady readership. But I’ve also suffered imposter phenomenon. Took me a while to get over it too.

Let me tell you how I did it.

My first work of fiction was published when I was 12 or 13. My high school English teacher talked me into entering a national Sunday school magazine short story contest and I won. My very first byline, and in a national publication no less. I was hooked on writing. But my next publication didn’t come until I was 18, and I got a poem published in a newspaper, the European edition of Stars and Stripes. I also had the occasional newspaper article published, and every now and then a travel or historical article published in a magazine, including some well-known national publications.

Despite all this, I was reluctant to call myself a writer. Whoever heard of a poor Black kid from a one-horse town in East Texas being a writer? In addition, I was getting enough rejection slips for my efforts at fiction to cover a wall.

This went on for years until I finally decided to hell with it, and I ventured into independent publishing and put out a mystery novel. That first book sold all of ten copies, but it sold, so I kept going. I expanded to historical fiction and did a few on the famed Buffalo Soldiers of the Ninth US Cavalry. Those sold better. One volume sold 800 copies the first weekend after I published it.

I was still reluctant to call myself a writer.

While doing research for my Buffalo Soldier stories, I came across references to Bass Reeves, an African American former slave who was hired as a deputy US marshal in 1875. After doing some research, I wrote a fictionalized account of his life, Frontier Justice: Bass Reeves, Deputy US Marshal. This was a few years before the rest of the world discovered this fascinating character, and the book sold well—still does after more than 10 years.

At this point, believe it or not, I’m still not calling myself a writer, fearing that someone will point out that I’m really no such thing, and the sales I’m getting are just flukes.

All this, mind you, while some of my acquaintances are calling me a writer, and I’m even hired to do a summer writing workshop for college seniors in an international relations program. I’d also by this time been interviewed at least four times by online bloggers who did interviews with writers—hint, hint.

When I was approached by a western publisher who heard one of the interviews and asked if I’d consider writing for his firm, I began to wonder if maybe I should start calling myself a writer. When a second publisher approached me with a better offer, I finally had the nerve to say ‘writer’ when someone asked me what I did. I even had calling cards made up with ‘Author’ under my name, and set up an author’s website, https://www.charlesray-author.com. To leave no doubt in peoples’ minds, I also added a couple of sentences to my CV, indicating that since retiring from government service, I’d turned to writing among other interests.

Imposter phenomenon wasn’t cured overnight. I was still reluctant to call myself a writer even after giving people my business card. Then, at a lunch one day where the speaker was introduced as someone who had three published books, and one of my table mates scoffed and said to our other companions, “What’s the big deal? Charlie here has more than fifty published books,” I realized that my fear of being exposed as a fraud was invalid. Other people thought of me as a writer, and not a bad one at that, according to my friend that day, so why couldn’t I do the same?

Well, since that day, that’s exactly what I’ve done. And, you know what, I’ve never felt better about   myself.

I Believe I Can Touch the Sky: From Poverty to Prosperity in Stories

I was born in rural Shelby County, in East Texas, in the 1940s, a time of rigid segregation. Parking in my hometown of 715 people was segregated by race and I went to a separate school where books and desks were hand-me-downs from the town’s white school. The first new textbook I ever laid hands on was a physics textbook in high school when the school district included physics for the first time and had to buy a sufficient quantity for both schools.

     After graduating from high school in 1962, too poor to attend college and refusing to accept the employment available to black people in East Texas at the time, I joined the United States Army to see the world that I’d been introduced to through crinkled pages of old National Geographic magazines.

     In the ensuing fifty-plus years, I rose from the poverty of a small farming town to prosperity, from tending the pigs on our small farm to meeting with kings in their palaces and presidents in their state houses.

     Thanks to the urging of my daughter, Denise Ray-Wickersham, I have finally put down stories from my life in written form—stories that I bored her and her brother with when they were growing up and her children with during the past few years.

     I Believe I Can Touch the Sky: Stories From My Life is not your usual memoir. The focus is not really on me, but on the incidents and events that impacted on me in my life. Short and to the point, much like the novelettes I write, it is a series of stories that stretch back over seven decades. Stories about the famous and infamous, the well-known and the unknown. It is a story of the persistence and patience of a young boy who refused to accept that the pine-covered clay hills were all there was to the world, or that he was limited to what other people said he could do because of the color of his skin.

     Available in hardcover, paperback, and Kindle version on Amazon. Get your copy today:

Hardcover:  $15.99  https://www.amazon.com/Believe-Can-Touch-Sky-Stories/dp/B0B2J26KVD/

Paperback:  #$7.99  https://www.amazon.com/Believe-Can-Touch-Sky-Stories/dp/B0B2HQ7KLC/

Kindle version:  $0.99  https://www.amazon.com/Believe-Can-Touch-Sky-Stories-ebook/dp/B0B2QV1BW1/

Verified by MonsterInsights